10.18.11 – Living Room w/ Meredith Nelson

TV Poetry

What is the cultural context for poetry at this particular moment in history? What do readers hunger for in the age of the electronic reader? What are the impacts of advancing technology  and declining meaningful time spent engaging beyond the computer/smartphone screen?  We’ll discuss this topic and listen to some examples of “popular” poems that seem to pervade technology mediums, along with historical pieces that reflect the age in which they were written.  If you have writing that has been impacted by popular culture or addresses this either directly or indirectly, bring it along!  Meredith A. Nelson facilitates.
Bring a piece of work you’d like to read for our critique session. Writers of all ages and skill levels gather Tuesdays at 7P to read new work, the work of someone else or to just be in the engaging company of other writers. Your donation of $5 helps SPLAB pay rent. Bring 8 copies of work you plan to read.

About Splabman

Poet & interviewer Paul E Nelson founded SPLAB (Seattle Poetics LAB) & the Cascadia Poetry Festival. Since 1993, SPLAB has produced hundreds of poetry events & 600 hours of interview programming with legendary poets & whole systems activists including Allen Ginsberg, Michael McClure, Joanne Kyger, Robin Blaser, Diane di Prima, Daphne Marlatt, Nate Mackey, George Bowering, Barry McKinnon, José Kozer, Brenda Hillman & many others. Paul’s books include American Prophets (interviews 1994-2012) (2018) American Sentences (2015) A Time Before Slaughter (2009) and Organic in Cascadia: A Sequence of Energies (2013). Co-Editor of Make It True: Poetry From Cascadia (2015), 56 Days of August: Poetry Postcards (2017) and Samthology: A Tribute to Sam Hamill (2019) Make it True meets Medusario (2019), he’s presented poetry/poetics in London, Brussels, Nanaimo, Qinghai & Beijing, China, has had work translated into Spanish, Chinese & Portuguese & writes an American Sentence every day. Awarded a residency at The Lake, from the Morris Graves Foundation in Loleta, CA, he’s published work in Golden Handcuffs Review, Zen Monster, Hambone, and elsewhere. Winner of the 2014 Robin Blaser Award from The Capilano Review, he is engaged in a 20 year bioregional cultural investigation of Cascadia and lives in Rainier Beach, in the Cascadia bioregion’s Cedar River watershed.
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