Greystone Publishing Call: All is Vanity

Submission guidelines: All is Vanity: A Reflective Anthology

Greystone Publishing is pleased and excited to introduce our latest book project, “All is Vanity: A Reflective Anthology.” This book is planned to feature 75 to 100 poems and short stories, including flash fiction. It is expected to fill 248 to 328 pages. Accepted writers will provide a head shot and short bio..

If you

would like to submit a story or poem for consideration please send us your manuscript via the following link: submissions@greystonepublishing.com or directly to the editor of this project Tim Dawsey, timdawsey@greystonepublishing.com Short stories should be no more than 6000 words. Manuscripts should be provided as a Word doc. or in a compatible format. Multiple submissions are welcome.

No previously published materials will be accepted. However, items that have been made widely available only on your personal website, or social network page, or regional magazine do remain acceptable at our discretion.  Be advised that, should a submission be selected for inclusion in the anthology, we will require that the approved item be removed from your personal site(s) for a period of not less than thirty (45) days after release date or you a provide a link to Greystone Publishing’s website directly below the work published. Greystone Publishing receives exclusive publishing rights, including electronic publishing, for a period of 18 months from the date of release. And non-exclusive rights form that point on. Contracts will be made available upon acceptance.

Subject matter should be based on vanity and reflection, and how it can affect an individual, a relationship, environment, or even alter a life path.  The story can be positive, negative, or bittersweet, fiction or non-fiction.  We are looking for well-constructed writings that create an emotional link with the readers.  Poems and stories may be of literary nature, or leverage a popular tone; most importantly, the messages they convey should be clear, meaningful, and accessible to a broad audience.

Simultaneous submissions will be accepted.  We ask that you please advise us as soon as possible if one of your submissions is selected for publication elsewhere.

All published works in the anthology will be paid a royalty. Since the anthology will be a mix of poems, short-stories, flash fiction, etc., the royalty distribution will be based on a weighted average scoring to be established by the publisher and administered by the editor.  (Typically, this will include factors such as word, line, and/or page count.  This formulaic approach will be simple and clearly disclosed in the individual contracts prior to publication.) The books will be formatted for all major readers and pads, as well as “on demand printing” for those who like to hold a book as they read. They will be distributed by leading retailers of eBooks and printed books at a retail price of $12.95 for eBooks and about 16.95 per printed book depending on the number of total pages. A royalty fund (30% of gross for electronic books and 20% of gross for print on demand books) will be set aside for distribution on a 3-month cycle beginning 60 day after release of the book. If there is less than $10.00 in royalties payments due per submission in the royalty fund, payment will carry over to the next scheduled payment.

Cut off for submissions will be Sept.15, 2013.

Upon acceptance we will ask you to send any photos or artwork you may have relating to your submission. Each artist will be given a Bio and web page on our website for the promotion of the book and author.

We will also have a merchandise page for the sale of merchandise related to the book and author involved. Any author can decline to participate. Any artist participating has the right to provide T shirt art, and Poster Art relating to the author only; design for all other merchandise relating to the book will be the sole responsibility of Greystone Publishing. Merchandise sold from our page, after cost, will be shared equally. We are in no way responsible nor obligated to produce any merchandise and do so at our own discretion

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12th Ginsberg Marathon June 1, 2013 8P

AG Marathon - June 1, 2013

AG Marathon – June 1, 2013

It’s official, the 12th Allen Ginsberg Memorial Open Mic Poetry Marathon happens Saturday, June 1, 2013, at 8P at Spring Street Center, 1101 15th Av, in Seattle.

Download the gorgeous poster created by Tessa Hulls here. Here’s the lineup:

8P – Featured Poet Jack Remick. He’s Beat, but he’s not tired and he’ll bring that Beat fire to kick off AG12. (Bio below)

10P – The Four Hoarse Men perform a selection of Michael McClure’s Ghost Tantras scored for multiple voices.

11P – Band of Poets

12M – The Bempire. Greg Bem hosts Beat and Beat-related movies, readings and your all night contributions.

5A – Sunrise reading of an AG classic. Howl? Kaddish? Wichita Vortex Sutra?

6A – 2nd shift, with breakfast. Are you an early riser? Can you make sure they did not burn the place down overnight?

9A – Lightning Round hosted by Paul Nelson. Bring your VERY SHORT (haiku-length) poems, as we move in a circle to hear everyone’s work. You can even improvise, but keep it 10-20 syllables and NO PREAMBLES. Lightning.

10A – Nadine Maestas hosts a panel on AG’s LGBTQ poetics and activism at The Project Room, 1315 E Pine, Seattle.

Jack Remick’s work: Valley Boy is Book Two of a series, The California Quartet. More volumes will be released by Coffeetown Press in 2013: Revolution and The Dirt Liberal. The first book of the series, The Deification, was released in December of 2011. Blood, A Novel was published by Camel Press in 2011.

AG Marathon - June 1, 2013

AG Marathon – June 1, 2013

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Cascadia Ad Board Meeting 3.31.13

Cascadia

Cascadia

The Cascadia Poetry Festival advisory Board met on Sunday, March 31st, on a gloriously sunny Easter Sunday. Several folks could not make the meeting because of that, but 15 attended and the groups was diverse and engaged. Amalio Madueño and I essentially ran the meeting, so my notes are from memory and the occasional email sent about the board by some members. The SPLAB Board members in attendance included me, Joe Chiveney, Nadine Maestas and Mary Baylor, the newest SPLAB Board Member. A draft work plan and draft festival schedule were both distributed and discussed. As for individual members and their contributions, here are some of them:

Phoebe Bosché of the Raven Chronicles committed to reaching out to Native American poets in S.E. Alaska and Montana.

Jared Leising of Cascadia Community College and 826 Seattle would look into the effort to get college credit for Festival attendees who participate in the daily morning academic component being planned: roundtables and panels on Cascadia ecology, poetry and culture.

Star Murray is interested in fundraising, budgeting and logistics.

Nadine Maestas is interested in hosting the panel on

Poetics at the fest.

Christine Clarke sent this about one of the work items:

10. Prepare List of Cascadia Poets, Sponsors (City, etal), Venues, Vendors – contacts, inquiries, letters, calls, meetings, etc.

I do have some connections in the Biology realm, that could be useful for the panels or possibly the academic sections. I’d also be happy to make various inquires of the above. I’m pretty organized and was once a volunteer coordinator, a chairperson for a Social Justice Committee, and pulled off an Earth Walk to benefit Snoqualmie Falls. I’m currently a Lab Manager, and can delegate tasks (and tell people what to do – haha!). I can also help as the Event gets closer with logistics of making sure everything is where/when it is supposed to be.

Others attending included Thomas Walton of Pageboy Magazine. Elizabeth Cooperman of Poetry Northwest. Carol Blackbird Edson, who attended Cascadia I. Scot Brannon, who is interested in doing a Poetilla, a floating poetry reading on Lake Union during the fest, as well as hosting the proposed Beer Slam, which would have 8 poets and 8 beers in competition. Lyn Coffin also attended. Seattle University is the main venue for the festival, scheduled for May 2-4, 2014. Ping me if you’d like to get involved in making the fest happen.

Paul Nelson

Cascadia Draft Grid 4.7.13

Cascadia Draft Grid 4.7.13

Cascadia Draft Grid 2 4.7.13

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Lit Fuse 2013

Dear Poets & Lit Lovers,

This September 27-29, poets from all over the US (& beyond!) will be gathering in the golden light of Tieton for LiTFUSE Poets’ Workshop.  This year, our featured artist is Dorianne Laux, and our performing artist is Andre Feriante.  Please join us!  Gathering with fellow poets in a beautiful town to work on poetic craft is a way of embracing what matters most.

The 2013 Schedule is now online, and it is so varied & delicious!  I am grateful for the amazing faculty committed to sharing their spark with us.  CLICK HERE to view the schedule.

CLICK HERE to register for LiTFUSE

on Brown Paper Tickets.  To read all about our astonishing 2013 faculty, please CLICK HERE.  Clickety-clickety-click!

If you are interested in the Dorianne Laux Master Class – hurry! – there’s only one spot left!  But don’t fret – we’re offering 2 other master classes this year, including one on Friday evening.

Where in the world is Tieton?  It’s about a 3 hour drive from Seattle or Portland, near Yakima, in the heart of fruit-growing country on the eastern foothills of the Cascades.  For more info on this artisan community, please visit mightytieton.com.  There are B&B’s and country inns nearby, or camping in Tieton, and plenty of lodging in Yakima, which is only 20 minutes down the road.

Poets UNiTE!

write on,
m
Michael Schein
LiTFUSE Director
michael@litfuse.us
www.litfuse.us

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