Nimrod Submissions

Nimrod LogoFrom the Nimrod Journal:

Call for Submissions LEAVING HOME, FINDING HOME

Home. It’s a concept that stretches across all cultures and all times. But what makes a home? Why do we sometimes seek out new homes, or refuse to leave the homes we already have? How do we find—and adapt to—new homes? When is leaving home a choice, when an exile? What happens when we are forced to leave homes we do not necessarily want to abandon? How do we make a place—a house, a country, a continent—into a home? Does home refer primarily to a place, or to the people who live there? Can home be an internal state of mind?

For our Spring/Summer 2017 issue, Leaving Home, Finding HomeNimrod International Journal is seeking poetry, short stories, and creative nonfiction pieces that explore ideas of home—both leaving home and finding home.

What We Are Seeking:

We invite poems, short stories, and creative nonfiction pieces that explore ideas of home. We are open to all interpretations of this theme from writers of all backgrounds and publication histories. Just a few examples of material that would be of interest to us include

  • Work about immigration, especially from first-generation immigrants to or from any country
  • Work from refugees leaving one home to seek another
  • Work from “Third Culture Kids,” those raised in a culture outside their parents’ culture
  • Work from expatriates living in countries not their own
  • Work about age and home, whether stories of young people leaving home for the first time or older people transitioning to new homes
  • Work that explores the connections between families and homes
  • Work about home as a state of mind
  • Work about the environment as home—for humans and for plants and animals
  • Work in translation

We hope to receive a large variety of material for this issue, including work from writers of color, writers of marginalized orientations and gender identities, writers of varying socio-economic status, physically different writers, and neuroatypical writers. We are especially interested in material from immigrants, migrants, and those raised outside their parents’ culture. Most of all, we hope to be surprised.

We are excited about this issue, so please send your work and/or share this announcement with writing groups and friends. We eagerly anticipate your response.

The Specifics:

  • Stories and creative nonfiction may be up to 7,500 words; poetry may be up to 8 pages.
  • All work must be previously unpublished.
  • You may submit poetry, fiction, and creative nonfiction, but we ask that they be sent as separate submissions.
  • Fiction should be typed, double-spaced with 1” margins on all sides, one side of plain white paper only.  Poetry should be typed, one side of plain white paper only.
  • For those submitting by mail: Please mark both your cover letter and the outer envelope with “Spring 2017 Theme.” Send a SASE for response. Postal submissions are free.
  • For those submitting online: Please submit work online under the theme category at https://nimrodjournal.submittable.com/submit
  • A $3 fee is charged for online submissions to cover the administrative costs associated with those submissions.
  • If the online submission fee or the postage to send work by mail will pose a substantial economic burden, writers may seek a waiver of the fee. To seek a waiver, please email us at nimrod@utulsa.eduwith your request and reasons for seeking a waiver.

Postmark deadline: November 5th, 2016

Publication date: April 2017

Nimrod is a nonprofit literary magazine published in print by The University of Tulsa, with issues appearing twice a year. All contributors to the magazine receive two copies of the issues in which their work appears.

Send postal manuscripts to:

Nimrod Journal

The University of Tulsa

800 S. Tucker Dr.

Tulsa, OK 74104

 

Submit online at:

 https://nimrodjournal.submittable.com/submit

Questions?

Email nimrod@utulsa.edu, call (918) 631-3080, or visit us online at http://www.utulsa.edu/nimrod.

 

– –

Nimrod International Journal

The University of Tulsa

800 S. Tucker Dr.

Tulsa, OK 74104

(918) 631-3080

www.utulsa.edu/nimrod

www.facebook.com/nimrodjournal

nimrodjournal.submittable.com/submit

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Open Books Open House

Open Books LogoIt is a rather remarkable thing to have in a city: an all-poetry bookstore. Cambridge, MA and Boulder, CO, are the only two USAmerican cities (besides Seattle) I believe with such a cultural nexus. And for many years the people who made Seattle’s all poetry bookstore possible, John Marshall and Christine Deavel, have run Open Books with grace, vast poetry knowledge and a sense of community. Both fine poets (published in Make It True: Poetry From Cascadia) they are displaying their commitment to Seattle’s poetry community by ensuring a good transition as they sell the store to Billie Swift. (No, not the former Mariner reliever, the brand-new PLU MFA. WooHoo!) Go to the open house and buy a book for God’s sake.

Open Books Hours

Here is the party info:

Dear Friends of the Store,
The transition of ownership of Open Books from Christine Deavel and John W. Marshall to Billie Swift is right around the corner! The public commemoration/celebration will happen as a series of Open Houses over three consecutive nights, Friday, Saturday, and Sunday, August 26, 27, and 28. Here’s a link to more information posted on our website. (6-8pm)
 
And books! They continue to be published, shipped, purchased, and read, even though we have been so engaged in the business of transition that we haven’t been letting you know about the wonders that have been arriving by the cartonful. Since last we wrote, the store’s received new books by some well-known poets — Alice Oswald, Falling Awake ($25.95 Norton), Alice Notley, Certain Magical Acts ($20 Penguin), Ben Lerner, The Hatred of Poetry ($12 FSG), Rita Dove, Collected Poems: 1974-2004 ($39.95 Norton), and Marie Ponsot’s Collected Poems ($35 Knopf). A large number of fine books by younger poets has arrived, too. Alexander has written up and posted two from that number, those being The Hermit by Lucy Ives ($17.95 Song Cave) and The Orchard Green and Every Color by Zach Savich ($17.95 Omnidawn). Please give those write-ups a look.
And, finally, we have added a listing of more than one hundred used books in all price ranges to our website. Linger a while there and see if something calls to you. And of course feel free to contact us for more information about any of those books.
Thank you for your support of Open Books for all these years, and for your support of the store for years and years to come!
Now, let’s close this newsletter with a sweet poem of awareness and beginnings from W.S. Merwin’s new collection, Garden Time ($24 Copper Canyon).
— John, Alexander, Billie, and Christine (bookkeeper+)
Rain at Daybreak
One at a time the drops find their own leaves
then others follow as the story spreads
they arrive unseen among the waking doves
who answer from the sleep of the valley
there is no other voice or other time
— W.S. Merwin

 

Open Books: A Poem Emporium
2414 North 45th Street
Seattle, Washington 98103
Bill Swift

Not THAT Billie Swift

Open Books 2

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August Poetry Postcard Fest

postcardThe Tenth August Poetry Postcard Fest is under way and there are a few good links to get caught up with how that is going:

The information page with the countdown to NEXT YEAR’s CALL is here.

The gift aspect of the fest in many of its manifestations is here.

Ina Roy-Faderman’s wonderful testimonial is here.

56 Days of August imageThe postcard anthology she is spearheading is here.

That this fest benefits SPLAB and the 4th Cascadia Poetry Festival is a huge gift to SPLAB. Thank you participants.

 

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Bob Kaufman Documentary

From NW Film Forum:

Hello Seattle Poetics LAB,

Bob KaufmanWe are reaching out to you about a rare Seattle presentation of And When I Die, I Won’t Stay Dead, at Northwest Film Forum on Capitol Hill June 29-July 2nd.

And When I Die, I Won’t Stay Dead (2015) is a documentary that tells the story of poet Bob Kaufman, sometimes considered “the American Rimbaud.” The film is directed by Billy Woodberry, who was part of the LA Rebellion—a group of African American filmmakers that included Julie Dash, Charles Burnett, and Haile Germina who studied at UCLA Film School in the late 1960s-1980s and created a cinema alternative to Hollywood. Woodberry explains that his film “weaves [Kaufman’s] artistic triumph as a triumph of radical politics surviving and inspiring against all odds.”

Here’s a link to the film on our site with showtimes and more information.

We are excited to present a stunning DCP projection of the film on the big screen and would greatly appreciate if you passed the word along to your network in an email or via social media!

Best regards,

Joseph Eusebio

Northwest Film Forum

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