Mike O’Connor Obituary

Mike O’Connor

August 3, 1944 – January 4, 2021

https://www.ptleader.com/stories/mike-oconnor
Obit by Tim McNulty and Jack Estes

Mike O’Connor, a poet, writer, translator, and editor who championed Olympic Peninsula writers, died on January 4 at his home in Olympia following a short battle with cancer. He was 76.

O’Connor was the award-winning author of eleven books of poetry, stories, and translations from the Chinese and editor of several anthologies. His publisher, Jack Estes, described him as someone whose life and poetry were one. “Mike’s work was a direct expression who he was,” Estes said. “His love of nature, his deep Zen Buddhist philosophy, and his infectious humor came through in everything he wrote.”

O’Connor’s clear and direct poems celebrate living simply, holding friends close, and honoring the earth. He helped found the Foothills Writers Series at Peninsula College and was active in the literary circle around Port Townsend’s Empty Bowl Press. His writings touched the hearts of thousands of readers. One of his best-loved poems, reflecting on the end of a day cutting cedar in the Olympic foothills, concludes, “the moon and stars / jingle in the sky / like wages.”

Thomas Michael O’Connor was born August 3, 1944 in Aberdeen, Washington. He spent his childhood in nearby Montesano, a time delightfully recreated in his book of stories, “Unnecessary Talking.” He moved to Port Angeles for his high school years and was a standout athlete.

O’Connor studied with Pulitzer prize winning poet Elizabeth Bishop at the University of Washington, but his roving spirit also took him to the University of the Americas in Mexico City and the University of California Berkeley before settling on a small farm in the Dungeness Valley.

In the 1970s he worked seasonally for the U.S. Forest Service, built trails, planted trees, and selectively logged in the Olympic Mountains. Those experiences inspired many of the poems in his first book, “The Rainshadow.”

A student of Chinese culture and poetry, O’Connor lived in Taiwan through the 1980s and early 90s where he edited and wrote for English language newspapers. He mastered classical Chinese and translated the work of Buddhist poets, publishing several volumes including “Where the World Does Not Follow” with photographer Steven Johnson and “When I find You Again It Will Be in the Mountains, Poems of Chia Tao.” He published several more volumes of original poetry including “The Basin,” “Immortality,” and “When the Tiger Weeps.”

His honors included fellowships from the International Writers Workshop and the National Endowment for the Arts and grants from the Pacific Cultural Foundation and the Washington State Arts Commission, among others.

O’Connor was married to Della Knox-Bennett of Bainbridge Island and to Port Townsend choreographer and dance instructor, Ling Hui. He spent his final years with his grade-school sweetheart, Mary Hughes, about whom he wrote a biographical fantasy called “Mary O’Houlihan.” He is also survived by his sister, Sharon Georg, of Alberta and innumerable friends and admirers in the U.S. and abroad.

No service is planned.

Books by Mike O’Connor, if you are a friend, associate or family member, email Lauren@pleasureboatstudio.com and I will send you a book as a gift in his memory. Otherwise, you can order them through the link above.

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Name as Fundamental Pattern

Ian Boyden Reads from A Forest of Names

Join Ian Boyden for a reading of poems from A Forest of Names: 108 Meditations, a collection of poems translating the names of schoolchildren killed in the 2008 Sichuan earthquake. 5,196 schoolchildren were killed when their schools collapsed on them. Boyden spent a year translating their names and contemplating what these names reveal about who we are and what it is we value. This reading will be structured around the word , pronounced wén​—an incredibly important word for which we have no exact translation. The word comes up again and again in the names of these children. How did it come to be so important? What is revealed about culture and hopes for the future based on the names the children are asked to carry? Not only is “wen” central to many of these children’s names, but it is also central to the place and geography where they lived, even the name of the earthquake itself. The reading, hosted by the Seattle Poetics Lab, will last about 45 minutes and be followed by a Q&A.

Friday, January 22, 7pm PST
Zoom link: https://us02web.zoom.us/j/2064225002

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EBSN 2021

Like all other things the European Beat Studies Network is going virtual for their next event, though we all hope things are back to the new abnormal by October 2021. Still, this is a good opportunity for those who can’t get to Europe and have something intelligent to say about the Beats. I have attended this event a couple of times and it is run by good and capable people.

CALL FOR PAPERS

The Present and Future of Beat Studies
Dates: October 29-31, 2021
Location: Online/Zoom
Registration Fee €30, concessions €10.

We invite proposals for the Tenth Anniversary Conference of the EBSN, which will take place via the online Zoom meetings platform, October 29-31 2021.

Deadline for abstracts: February 15, 2021. Notifications by April 15, 2021. Please submit abstracts to Conference Administrator Raven See at rsee11@elmira.edu

Possible topics may include but are not limited to:

Aesthetic practices
Beats and other Bohemian movements
The Beat canon
Beat culture as a global phenomenon
Beat ownership
The Beat project
Biographical encounters
Cinematic ventures
Civil disobedience and free expression
Culture and power
Cultural confrontations and appropriations
Cultural mythology
Decolonial deliberations
Documentaries and interviews
Environmental considerations
Europe as a Beat location
Feminisms
Gender and identity
Geography and movement
The gritty underground
International Beats
Life-writing and the Beats
Limits in Beat studies
Linguistic discoveries
Marginalization
Material questions
Migration
Musical connections
Post-Beats
Publication histories
Re-defining the Beats
Teaching the Beats
Theatre and media
Theory and criticism
Transcultural Beats
Transnational aspects of Beat culture
Translations
Travel and the Flâneur
Uncovered histories
Women of the Beat Generation

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SPLAB @ 27

It was just 27 years ago on this date that the organization now known as SPLAB was registered with the State of Washington as a non-profit organization. In the last 27 years we’ve created over 450 hours of original public affairs interview programs which aired weekly on as many as 18 radio stations; have continued conducting interviews with poets, authors, whole-systems activists and indigenous people; have produced hundreds and hundreds of literary arts events including the Cascadia Poetry Festival, which has been staged 6 times; and have founded and organized POPO, the August POetry POstcard Fest, which is registering participants for next summer’s 15th season. (We’re also organizing poetry postcard art exhibits to be announced before too long.) We have also published several books on our own imprint including American Prophets: Interviews 1994-2012 and Samthology: A Tribute to Sam Hamill. We have had a hand in helping to create Make it True: Poetry From Cascadia and Make it True meets Medusario. We own the rights to 56 Days of August: Poetry Postcards.

We have gone through many changes since 1993 and we’re about to embark on a new tuning of our mission and a relentless effort to support the evolution of poetry and access to it, as well as continue the Cascadia Poetry Festival and the ongoing interviews.

We have been hurt by the COVID-19 lockdown, but not as badly as many organizations. We pivoted to online workshops this year and have an almost full class for a workshop in February.

The SPLAB Board will gather (virtually) today and I am grateful for the love and effort they put in to create these events and maintain these projects, as well as the effort of key volunteers.

 

 

 

 

 

 

 

 

And we have had the benefit of attracting some very generous contributions over the last couple of years, so to Kim Miller, Larry Lawrence, Buffy Sedlacheck, Robert Meier, Bhakti Watts and others, 1,000 thanks for helping us get to here. We are so grateful to be doing this work and for your support.

Sincerely and with Gratitude,

Paul E Nelson

 

 

 

 

 

 

Paul E Nelson
Founding Director

And year-end donations are open at: https://www.paypal.com/paypalme/splabman

Wanda Coleman

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