Introducing A Sense of Place: The Washington State Geospatial Poetry Anthology

Introducing A Sense of Place: The Washington State Geospatial Poetry Anthology edited by Katharine Whitcomb, Robert Hickey, and Marco Thompson, The Center for Geospatial Poetry at Central Washington University! The project features, via Google Earth, poems by Washington poets ABOUT a particular location in the state. A visitor can call up a Google Earth map of Washington and see a map with pins indicating the locations of poems all over the state. Each pin can be zoomed in on and opened to a photograph and a full text, attributed poem with information about the poet.

Poets from the anthology will be featured Sunday at 4:30 at SPLAB, including Kathleen Flenniken, the new Poet Laureate of Washington. Suggested donation $5, but free to Cascadia Poetry Fest Gold Pass holders

Katharine Whitcomb

Katharine Whitcomb is the author of a collection of poems, Saints of South Dakota & Other Poems, which was chosen by Lucia Perillo as the winner of the 2000 Bluestem Award and published by Bluestem Press, and two poetry chapbooks. Hosannas (Parallel Press, 1999) and Lamp of Letters (Floating Bridge Press, 2009), winner of the 2009 Floating Bridge Chapbook Award. Her poetry awards include a Stegner Fellowship at Stanford University, a Loft-McKnight Award, a Writing Fellowship at the Fine Arts Work Center in Provincetown, and a Halls Fellowship at the Wisconsin Institute for Creative Writing. She lives in Ellensburg, WA, where she is Coordinator of the Writing Specialization English Major at Central Washington University. Find out more on her website: www.katharinewhitcomb.com.

Kathleen Flenniken

Washington Poet Laureate Kathleen Flenniken

was raised in Richland, Wash., and currently lives in Seattle. She holds engineering degrees from Washington State University and the University of Washington, as well as a Masters in Fine Arts degree from Pacific Lutheran University. She is president of Floating Bridge Press, a nonprofit organization dedicated to publishing Washington poets, and teaches poetry writing to students of all ages with the support of arts organizations including WSAC, Seattle Arts & Lectures’ Writers in the Schools program and Jack Straw Productions.

Flenniken’s first book, Famous (University of Nebraska Press, 2006), won the Prairie Schooner Book Prize in Poetry, and was a finalist for a Washington State Book Award. Her second collection, Plume (University of Washington Press, 2012), about the Hanford nuclear site, was recently chosen for the Pacific Northwest Poetry Series.

Elizabeth Austen

Elizabeth Austen  is the author of Every Dress a Decision (Blue Begonia Press, 2011), and two chapbooks, The Girl Who Goes Alone (Floating Bridge Press, 2010) and Where Currents Meet (one of four winners of the 2010 Toadlily Press chapbook award and part of the quartet Sightline). She recently moved to West Seattle, where views of Vashon Island and Puget Sound have become new muses. She was the Washington “roadshow poet” and is the literary producer for KUOW 94.9 public radio. She makes her living at Seattle Children’s Hospital, where she offers retreats and poetry/journaling workshops for the staff.

Alice Derry

Alice Derry’s newest collection of poems, Tremolo, is forthcoming from Red Hen Press in 2012.  It received a 2011 Washington Artist Trust Award.  Strangers To Their Courage, from Louisiana State University Press, 2001, was a finalist for the Washington Book Award.  She has two previous full collections, Stages of Twilight (chosen by Raymond Carver) and Clearwater (Blue Begonia Press).  A chapbook of translations from Rainer Rilke appeared in 2002 from Pleasure Boat Studio, New York City. Derry taught English and German at Peninsula College in Port Angeles, Washington, for twenty-nine years, where she co-directed the Foothills Writers’ Series.

Paul Fisher

Paul Fisher is the author of Rumors of Shore, winner of the 2009 Blue Light Book Award, and is the recipient of an Individual Artist’s Fellowship in Poetry from the Oregon Arts Commission. A 2011 graduate of Artist Trust’s EDGE Program for Writers, he has recent poems appearing in journals such as Cave Wall, Crab Creek Review, DMQ Review, Naugatuck River Review and Nimrod International Journal. Born and raised in Seattle, he studied at the University of Washington, earned an MA from Washington U in St. Louis, and an MFA in poetry from New England College. Paul currently lives in Bellingham, a stone’s throw from beautiful Lake Whatcom, where he divides his time between the visible world and various realms of the inner eye.

Kathryn Hunt

Kathryn Hunt is a writer and filmmaker. Her stories and poems have appeared in Rattle, The Sun, Willow Springs, Crab Orchard Review, and Open Spaces, among other magazines. She is a director of documentary films, including Take this Heart, a feature-length film that was honored with the Anna Quindlen Award for Excellence in Journalism. She recently completed a memoir, The Province of Leaves, the story of a mother and a daughter and the tangled, maddening, and abiding claims of family. She teaches writing classes in memoir at the Writers’ Workshoppe in Port Townsend.

Terry Martin

Terry Martin is an English Professor at Central Washington University. An avid reader and writer, Martin has published over 250 poems, essays, and articles and has edited both journals and anthologies. Her most recent book of poetry, The Secret Language of Women, was published by Blue Begonia Press in 2006.

 

Kevin Miller lives in Tacoma, Washington. Pleasure Boat Studio
published his third collection Home &

Kevin Miller

Away: The Old Town Poems in
2008. He has poems forthcoming in the Massachusetts Review and Barely
South.

Ann Teplick

Ann Teplick is a Seattle poet, playwright, and prose writer, with an MFA in creative writing from Vermont

College of Fine Arts. For eighteen years she’s written with youth in schools, juvenile detention centers, psychiatric hospitals and literary non-profits. Her work has appeared in Crab Creek Review, Drash, Chrysanthemum, Hunger Mountain, Reality Mom, Jack Straw Writers Anthology, Washington State Geospatial Anthology and others. Her plays have been showcased in Washington, Oregon, and Nova Scotia. In 2010, she participated in Artist Trust’s EDGE ~ Personal Development Program for Writers. In 2010 she received funding from Seattle Office of Arts and Cultural Affairs and 4Culture, for a collection of poetry The Beauty of a Beet, Poems from the Bedside. In 2011, she was a Jack Straw and Hedgebrook Fellow. Currently, she is a member of The Teaching Artist Training Lab at The Seattle Repertory Theater. In addition, she is wrapping up a young adult novel, called Hey Baby, Wanna Dance?

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Igniting the Green Fuse: Women on Eco-poetry

“Igniting the Green Fuse: Women on Eco-poetry” panel moderated by Kim Goldberg (Nanaimo, BC)

12-4P Saturday panel, nature walk and writing prompt: Igniting the Green Fuse: Women on Eco-poetry moderated by Kim Goldberg (Nanaimo, BC) featuring: Catherine Owen (Vancouver, BC), Kate Braid & Heidi Greco (White Rock, BC) at Seward Park Environmental and Audubon Center.

Please be aware that Cascadia Gold Passes are now extremely limited and they may be sold out by March 24th. Guarantee a spot by registering now. The badges are VERY cool, and get you into every reading and workshop. PLUS, they are the ONLY way to get into the exclusive morning sessions. Details and the complete schedule at www.splab.org/cascadia. We thank our co-sponsor, the Seward Park Environmental and Audubon Center.

Kim Goldberg

Kim Goldberg is an award-winning poet, investigative journalist and author. Author of Ride Backwards on Dragon, she has studied T’ai Chi Chuan and the related martial art of Liuhebafa since 1997. Her Red Zone collection of poems about urban homelessness has been taught at Vancouver Island University and elsewhere. As a journalist, Kim has reported extensively on environmental topics, winning the Goodwin’s Award for her coverage of the anti-environmental backlash in Canada. Born and raised in Oregon, with a biology degree from University of Oregon, Kim moved to Canada with her family during the Vietnam War years. She has remained on Vancouver Island ever since where she is active in anti-war efforts, homelessness issues and urban art. She offers a popular series of workshops called Pen & Dragon: Kung Fu for Writers combining martial arts movements with creative writing exercises to awaken the body and unleash the mind. Visit her online: www.pigsquashpress.com.

Catherine Owen

Catherine Owen is a Vancouver writer, the author of nine collections of poetry and one of environmental and poetic essays and memoirs. Her book, Frenzy (Anvil Press 2009) won the Alberta Literary prize and her poems have been nominated for the CBC Award, the BC Book Prize, the Earle Birney award and the Fiddlehead contest. She has a Masters in English, works as an editor/tutor, plays bass in metal bands and will be narrator of the upcoming production Awakening the Green Man, an eco-musical.

Heidi Greco

Heidi Greco lives in South Surrey, about a mile from the invisible line that divides Canada from the U.S. She is a long-time environmentalist and has written about her beliefs and concerns in essays, blog posts, and poems. Her poetry collection, Rattlesnake Plantain (Anvil Press, Vancouver), takes its title from a forest orchid which is considered rare in some places, but that still exists in her bioregion. Other books are Siren Tattoo, Shrinking Violets, and several chapbooks. Greco is a regular visitor to Matsqui Penitentiary, where she is part of a writers’ group that does workshopping sessions with inmates. She keeps a sporadic blog at www.outonthebiglimb.blogspot.com.

Kate Braid

Kate Braid has muddled about in the intersection between loving trees and being responsible for cutting down whole forests full – as a carpenter and builder – for years.  She has written poetry and non-fiction about subjects from Georgia O’Keeffe, Emily Carr and Glenn Gould, to mine workers and fishers.  In addition to co-editing with Sandy Shreve, In Fine Form, she has published five books of poetry. Her memoir of fifteen years as a carpenter, Journey Woman, is forthcoming in 2012.  Her work has won and been short-listed for a number of awards and is widely anthologized.    See www.katebraid.com

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Tim McNulty Workshop Description: Images as Windows

Tim McNulty

Tim McNulty Workshop Description: Images as Windows (Saturday, March 24, 1-3P at SPLAB)

In our workshop we’ll explore the power of images to convey meaning, nuance and mood in our poems.  We’re review some poems that rely on images, and we’ll jot some images in our notebooks recollected from the past few days.  If time permits, we may venture outdoors to gather a few fresh notes from the neighborhood.  Then we’ll try an exercise or two that will coax our rough notes into a poem.  If everyone is willing, we’ll share some of our works-in-progress.  No preparation is necessary, but a pen and notebook are handy – and a willingness to open ourselves to the world outside ourselves.

Please be aware that Cascadia Gold Passes are now extremely limited and they may be sold out by March 24th. Guarantee a spot by registering now. The badges are VERY cool, and get you into every reading and workshop. PLUS, they are the ONLY way to get into the exclusive morning sessions, and the best way to get into this workshop. Tim will also be part of the keynote reading Saturday night at 7:30 at SPLAB. Details and the complete schedule at www.splab.org/cascadia.

 

Tim McNulty is a poet, essayist, and nature writer.  He is the author of two collections of poetry, In Blue Mountain Dusk (Pleasure Boat Studio) and Pawtracks (Copper Canyon Press), and ten chapbooks, including Some Ducks and Through High Still Air (both from Pleasure Boat Studio), Cloud Studies (Empty Bowl), Last Year’s Poverty (Brooding Heron Press), and Reflected Light (Tangram Press).

His award-winning books on nature include: The Art of Nature, Olympic National Park: A Natural HistoryWashington’s Wild RiversWashington’s Mount Rainier National ParkGrand Teton: Where Lightning Walks, and Grand Canyon: Window on the River of Time.  Tim has received the Washington Governor’s Writers Award and the National Outdoor Book Award. He lives with his family in the foothills of Washington’s Olympic Mountains.

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Living Room Tuesday 3.13.12 Poetry Extraction

Poetry Extraction

One purpose of jargon is to rationalize discourse by substituting objective language for subjective language. (Just look at that sentence.) Ironically, removing emotion-soaked terms makes language sound disturbed, robotic. Take this blurb from the DSM-IV (the bible of psychiatric diagnosis) describing obsessive compulsive disorder (item #300.3):

Patients with this disorder are plagued with recurrent
obsessions or compulsions, often with both. Obsessions may
manifest as recurrent thoughts, ideas, images, impulses, fears,
or doubts. The obsessions are autonomous; although patients
who find themselves obsessing may resist them, they are
unable to stop them; they come and go on their own.
Compulsions, likewise, may manifest in a variety of ways.
Patients may feel compelled to touch, to count, to check, to
have everything symmetrically arranged, or to repeatedly wash their hands.

Oh my. What is this language if not obsessed with counting, checking and systematically arranging?

Poetry and a sense of irony can rescue language from such barbarism. In the “Naming of Parts” Henry Reed juxtaposes the verbiage of a WWII drill instructor with the interior monologue of a new recruit:

This is the safety-catch, which is always released
With an easy flick of the thumb. And please do not let me
See anyone using his finger. You can do it quite easy
If you have any strength in your thumb. The blossoms
Are fragile and motionless, never letting anyone see
Any of them using their finger.
And this you can see is the bolt. The purpose of this
Is to open the breech, as you see. We can slide it
Rapidly backwards and forwards: we call this
Easing the spring. And rapidly backwards and forwards
The early bees are assaulting and fumbling the flowers:
They call it easing the Spring.

Some jargon can be quite beautiful (think botany). When does jargon dehumanize and when does it elevate? Bring in a photocopied page from some jargon repository—the Merck drug manual, a business text, a field surgery handbook, whatever appeals—and prepare to perform a poetry extraction.

Your facilitator is Scot Brannon.

Writers of all ages, backgrounds and skill levels gather Tuesdays at 7P to read new work, the work of someone else or to just be in the engaging company of other writers. Your donation of $5 helps SPLAB continue our programming. Please bring 8 copies of the work you plan to read. If you do not bring copies, they are available for 10c.

Living Room happens @ SPLAB in the Cultural Corner at 3651 S. Edmunds. (Look for the SPLAB sign on the wall and come inside.) We’re 2 blocks from the Columbia City Link Light Rail Station. (Parking is available on the school grounds.)

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