Brussels

As you may know by now, your friendly-neighborhood Splabman traveled with his bride-to-be to Brussels in Belguim (& day-tripped to Paris & Bruges) for the Tools of the Sacred conference.

Brussels photos are linked here.
The essay I wrote for the conference is here.
The powerpoint I created for my Brussels presentation is here.

Meeting Gillian Parrish (Washington University, St. Louis), and witnessing her presentation: “This Cunning World Made Flat: The Practiced Gaze of Bone Pagoda and Buddhist Tantra” was a highlight.

I enjoyed Lyn McCredden‘s:
“Sacred and Secular in Australian Poetry”

as well as Peter Cockelburgh, whose presentation on Pierre Joris was quite interesting. Peter is a Belgian and struck me as a quintessential European, with his mastery of three languages and ability to move seamlessly between them. That aids his Joris research.

and enjoyed meeting Loren Schwartz of York University in Toronto, Michael Heller the Oppen scholar, Trevor Carolan of Vancouver, BC (& the Pacific Rim Review of Books) and the conference organizer and all-around generous and gracious host, Franca Bellarsi. She said the next conference is in 2013 and will be Biofilia and Biophobia.

I did a reading with Peter Cockelburgh and four other writers, Jay Ramsay, the very funny Paul McDonald and Seamus Cashman of the Black Earth Institute.

I’d welcome your feedback on the powerpoint and the essay.

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Tony & Willis Barnstone in the Living Room

Tony Barnstone is The Albert Upton Professor of English Language and Literature at Whittier College and has a Masters in English and Creative Writing and Ph.D. in English Literature from the University of California at Berkeley.

About Tongue of War: From Pearl Harbor to Nagasaki:

For 15 years, Tony Barnstone has been researching WWII in the Pacific, from the Rape of Nanjing to the atom bomb drops on Hiroshima and Nagasaki.  The result is Tongue of War, a book of dramatic monologues written from the point of view of participants in and survivors of that war, which won the John Ciardi Prize in Poetry in 2008, has been awarded fellowships from the National Endowment from the Arts and the California Arts Council, and was published on November 11th, 2009 by BKMK Press.

Blurbs for the book:

Robert Olen Butler:

Brilliant in conception, comprehensive in its humanity, exquisitely voiced by a stunning range of characters, Tongue of War is not only a deeply moving work, it is an enduringly important one.  Tony Barnstone has revealed humankind’s capacity both for evil and for redemption with a power that few writers have ever achieved.

Dorianne Laux:

“The kaleidoscope of voices in Tony Barnstone’s Tongues of War: From Pearl Harbor to Nagasaki rise from the grit, blood and smoke of WWII to tell their complex tales of fear and brutality. Through charged, yet plain-speaking persona poems, the terrible, gasping truths are brought to light, ultimately waging peace through skillfully imagined testimonials that recover the forgotten, and our lost humanity, one line at a time.”

Willis Barnstone was born in Lewiston, Maine, and educated at Bowdoin, Columbia, and Yale. He taught in Greece at the end of the civil war (1949-51), in Buenos Aires during the Dirty War, and during the Cultural Revolution went to China, where he was later a Fulbright Professor of American Literature at Beijing Foreign Studies University (1984-1985). His publications include Modern European Poetry (Bantam, 1967), The Other Bible (HarperCollins, 1984), The Secret Reader: 501 Sonnets (New England, 1996), a memoir biography With Borges on an Ordinary Evening in Buenos Aires (Illinois, 1993), and To Touch the Sky (New Directions, 1999). His literary translation of the New Testament, The New Covenant: The Four Gospels and Apocalypse was published by Riverhead Books in 2002. Most recently, he has published two more collections of translations: The Complete Poems of Sappho and The Restored New Testament: A New Translation with Commentary, Including the Gnostic Gospels Thomas, Mary, and Judas. A Guggenheim Fellow and Pulitzer Prize finalist in poetry, Barnstone is Distinguished Professor at Indiana University.

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Tools of the Sacred Conference, Brussels

Conference Website

Wednesday, 5, May, 2010 2.15 p.m. to 4.00 p.m.

Parallel Sessions I & J
Session I: Beat Generation Mysticism I
Chair:
Franca BELLARSI (Université Libre de Bruxelles)
I1
Paul NELSON (Poet, USA):
“Projective Verse: The Spiritual Legacy of the Beat Generation”
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Review of Peter Pereira’s “What’s Written on the Body.”

Peter Pereira may be the most popular Seattle poet. He may be the nicest and that counts for a lot in polite Seattle. He’s also a neighbor of mine. I remember attending his book release reading at Open Books and they had to turn people away. In this intelligent review by Joel Weishaus, I get a better sense of what Pereira’s doing, but I’m left wanting a deeper experience than the review provided. Is it me, or is there something about this review that is missing?

Here’s the first paragraph:

Although books and anthologies of poems by physicians and other healthcare workers are not uncommon, Seattle family physician, Peter Pereira, has a particular gift in revealing of the pulse of his psyche through his relationship with patients. Perhaps this is because he has had to absorb the prejudice that goes with being a gay man in America. Even in his office, when he refused to write a prescription for the powerful pain-killer OxyContin, “because the Xrays / and MRI don’t show it,” for a man who claimed he had broken his spine in a car accident, the man walked out muttering, “Damn fag.”

http://www.cddc.vt.edu/host/weishaus/Poetica/blog-3.htm

What say you? It may take a while before getting your response up here, as the spam is relentless and I may be in Brussels, but do let me know what you think.

Paul Nelson

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