You Are Getting Sleepy… Tuesday, June 5 Hypnotism Living Room

Come experience the 14th way to look at a Blackbird. Tonight, we will be reading Wallace Stevens poem 13 Ways of Looking at a Blackbird while under a self induced hypnotic state (optional). This guided writing exercise is guaranteed to give you something to stop thinking about. Bring paper to scribble upon. Joe Chiveney swings the watch. This is one of the four last Living Room sessions.

13 Ways of Looking

Thirteen Ways of Looking at a Blackbird
Wallace Stevens

I 
Among twenty snowy mountains, 
The only moving thing 
Was the eye of the blackbird.
II 
I was of three minds, 
Like a tree 
In which there are three blackbirds.
III 
The blackbird whirled in the autumn winds. 
It was a small part of the pantomime.
IV 
A man and a woman 
Are one. 
A man and a woman and a blackbird 
Are one.
V 
I do not know which to prefer, 
The beauty of inflections 
Or the beauty of innuendoes, 
The blackbird whistling 
Or just after.
VI 
Icicles filled the long window 
With barbaric glass. 
The shadow of the blackbird 
Crossed it, to and fro. 
The mood 
Traced in the shadow 
An indecipherable cause.
VII 
O thin men of Haddam, 
Why do you imagine golden birds? 
Do you not see how the blackbird 
Walks around the feet 
Of the women about you?
VIII 
I know noble accents 
And lucid, inescapable rhythms; 
But I know, too, 
That the blackbird is involved 
In what I know.
IX 
When the blackbird flew out of sight, 
It marked the edge 
Of one of many circles.
X 
At the sight of blackbirds 
Flying in a green light, 
Even the bawds of euphony 
Would cry out sharply.
XI 
He rode over Connecticut 
In a glass coach. 
Once, a fear pierced him, 
In that he mistook 
The shadow of his equipage 
For blackbirds.
XII 
The river is moving. 
The blackbird must be flying.
XIII 
It was evening all afternoon. 
It was snowing 
And it was going to snow. 
The blackbird sat 
In the cedar-limbs.

Writers of all ages, backgrounds and skill levels gather Tuesdays at 7P to read new work, the work of someone else or to just be in the engaging company of other writers. Your donation of $5 helps SPLAB continue our programming. Please bring 8 copies of the work you plan to read. Copies are no longer provided by SPLAB.

Living Room happens @ SPLAB in the Cultural Corner at 3651 S. Edmunds. (Look for the SPLAB sign on the wall and come inside.) We’re 2 blocks from the Columbia City Link Light Rail Station. (Parking is available on the school grounds.)

About Splabman

Poet & interviewer Paul E Nelson founded SPLAB (Seattle Poetics LAB) & the Cascadia Poetry Festival. Since 1993, SPLAB has produced hundreds of poetry events & 600 hours of interview programming with legendary poets & whole systems activists including Allen Ginsberg, Michael McClure, Joanne Kyger, Robin Blaser, Diane di Prima, Daphne Marlatt, Nate Mackey, George Bowering, Barry McKinnon, José Kozer, Brenda Hillman & many others. Paul’s books include American Prophets (interviews 1994-2012) (2018) American Sentences (2015) A Time Before Slaughter (2009) and Organic in Cascadia: A Sequence of Energies (2013). Co-Editor of Make It True: Poetry From Cascadia (2015), 56 Days of August: Poetry Postcards (2017) and Samthology: A Tribute to Sam Hamill (2019) Make it True meets Medusario (2019), he’s presented poetry/poetics in London, Brussels, Nanaimo, Qinghai & Beijing, China, has had work translated into Spanish, Chinese & Portuguese & writes an American Sentence every day. Awarded a residency at The Lake, from the Morris Graves Foundation in Loleta, CA, he’s published work in Golden Handcuffs Review, Zen Monster, Hambone, and elsewhere. Winner of the 2014 Robin Blaser Award from The Capilano Review, he is engaged in a 20 year bioregional cultural investigation of Cascadia and lives in Rainier Beach, in the Cascadia bioregion’s Cedar River watershed.
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