Jerome Rothenberg

One of the brightest moments at the old splab, there at 14 S. Division – a molotov cocktail’s throw from city hall – I once liked to say, was the visit of Jerome Rothenberg. The book that was current for him at the time was The Lorca Variations and I continue to see images from that work show up in poems.

More on Rothenberg here and here, but let me suggest one of his latest blog posts: Poets in Society: A Reconsideration.

An excerpt:

Artists and poets are inextricably in society. This is both our opportunity and our doom. And even when we think of ourselves as in the margins or on the fringes or alienated or outsiders, these are all social terms and we are all of us social creatures. We are also, as poets, sharers of a common language, in the shaping and reshaping of which we put ourselves forward as hyperconscious players/actors/agents. That there are other agents, with more power over the means of dissemination, may be our misfortune, but we seem to persevere in spite of that. By doing what we do we call their language (& their world) into question, and this forms the basis of what we think of, hopefully or foolishly, as our counterpoetics.

Discussion?

As you may know, SPLAB is on hiatus until February 2, when Living Room resumes at the Columbia City Cinema, 4816 Rainier AV S. Come to read new work for a gentle critique, come to read someone else’s work, or come just to be in the engaging company of other writers. Happy December. Your

Wily Splabman.

About Splabman

Poet/interviewer Paul Nelson:

Founded: SPLAB (Seattle Poetics LAB) & the Cascadia Poetry Festival

Wrote: American Sentences (2015), A Time Before Slaughter (2010) and Organic in Cascadia: A Sequence of Energies (Lumme Editions, Brazil, 2013). His 2015 interview with José Kozer was published in 2016 (Ranchos Press) as Tiovivo Tres Amigos.

Interviewed: Allen Ginsberg, Michael McClure, Joanne Kyger, Robin Blaser, Anne Waldman, Ed Sanders, Diane di Prima, Nate Mackey, George Bowering, Brenda Hillman, among others and is engaged in a 20 year bioregional cultural investigation of Cascadia, including the festival, a MOOC (Innovative Cascadia Poetry), interviews with Cascadia poets indigenous elders and activists, and the anthology Make It True: Poetry From Cascadia. Paul is co-editor of that anthology as well as 56 Days of August the poetry postcard anthology and writes an American Sentence daily.

*MOOC = Massive Open Online Course

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